Your Photography Background – At Last! A Brand New Program For Photo Background Creation!

Does your photography not quite live up to your creative visualization? Need to know how to put “pizzazz” in your images? The team at PartTimePhotography.com has created an innovative new “photography background Creation” course that can instantly move your photos to a whole new level – on a minuscule budget.

For many people, shooting reasonable exposures is simply a matter of placing our camera’s adjustments on autopilot and shooting away. But the one thing our camera CAN’T accomplish for us is to create a gorgeous, professional looking background.

That’s a massive creative factor that separates the professionals from the amateurs.

Hand painted, material backgrounds can cost THOUSANDS of dollars. Significantly too much for most newbie budgets…so, until now, we have resigned ourselves to photographing without them and dreaming of – someday.

That someday has arrived. Part Time Photography has created a course training all of us of the best way to make professional class photography backgrounds for pennies on the dollar! In fact, they say that one could produce FOUR stunning backgrounds for around the cost of shipping on just ONE of the commercially made ones.

With this quick, on line video course, you’ll first find out what materials are necessary and where to get them… You then will make your first photography background – a blue, “Old Masters” style including learning multiple ways of using it to get different effects.

Next up, you’ll produce a red background – then a black one and eventually gray. They are in the favored “Old Masters” style that photo shooters have gravitated to for decades.

When completed (they each only take a couple of minutes to create) – you can roll them up, toss them inside your car, and never be without a photography background again!

The 2nd part shows you a simple way to make a background which is expandable which enable it to be used on any size “set”.

The following part addresses chroma key backgrounds…their history, why you at times see a blue screen and other times a green one…and the way to get and use your own. Again, you’ll possess your own for pennies on the dollar.

In conclusion, the tutorial shows tips on how to absolutely master your camera, lenses and lighting gear in order that – using the fundamental backgrounds you have already learned to produce – you can turn them into any color (and any shade of that color) background – at will, without any guesswork. It is a very advanced skill that few photo shooters understand. Even most professionals fall short in this area.

Stunning, “Old Masters” style backgrounds are now within the financial reach of even the greenest of beginners. By the time you have gone through the materials and created your 4 photography backgrounds, your photos will rocket to a new level and start to really become an art form and not only a recording medium.

For more information on the new photography background course, just visit: http://www.PartTimePhotography.com/PhotographyBackground.html

Tags: photo backdrop, photo background, photography, photography backdrop, photography background

The Photography Background – The Fastest Route To Better Photos!

If you happen to be serious about photography – and want to get your photos to a whole new, higher level – the important thing to success often is the photography background!

One of the vital distinctions between beginner and professional photography is the pro has learned to manage and manipulate the photography background – where the beginner focuses all their consideration on the model and usually just lets the background come about on its own.

Have you ever been so caught up in your model and lights and so forth that (when you have a look at the completed photograph) you discover a huge trash can – right behind your model – spilling trash all over the ground? In every photo? Plus you didn’t even see it during the photo session!

Or, have you been guilty of having tree branches seeming to erupt from the model’s head, resembling horns?

They are stupid blunders which can be easily resolved and can promptly boost your photography’s impact.

The bad news is we don’t really observe how much better our images are! Let’s face it; if you do not have litter or horns and so forth, you never pause to consider how significantly better your photo is…you just do not notice. Our attention only comes to bear if we overlook something and mess up (all of us do sometimes).

If you would like admiration for your creative undertakings, you CANNOT allow these problems into your photos. It is really a simple repair…just remember to check out the background and every one of the 4 corners inside the viewfinder before you click the shutter button – after that you tweak accordingly.

In case you have a hard time remembering, acquire a piece of masking tape and record – in huge black print – “CHECK THE SURROUNDINGS”. Next attach the tape on the backside of your camera. This will help remind you until it becomes a habit.

You won’t ever realize how many images you’ve rescued, however it’s definitely worth the effort.

The next most straightforward photography background procedure – to make your model “explode” out of your picture – is to isolate them.

I am sure you’ve seen photos where the model is in clear, razor-sharp focus – but the backdrop is totally out of focus and is nothing but a wash of color.

That is accomplished by manipulating the depth of field.

Depth of field establishes how much of your photograph is in focus. One can find complete textbooks written concerning this subject (heck, I penned one myself!) but the easiest ways to achieve this “wash of color” technique are to:

1. Use the longest focal length lens possible.
2. Open it up to the widest aperture possible – this will be the lowest f-stop number.
3. Place the backdrop as far to the rear of the model as is feasible. Or position the model as far in front of the backdrop as you can.

Without a doubt each one of the three tips has quite a few variables. Through adjusting the variables presented to you, you can make your photography background as focused or de-focused as you want. There is not any right or wrong.

Entirely out of focus, partially in focus, sharp as a tack…this is now the point where your inventive eye comes into the picture.

After you’ve mastered your “in camera” methods of manipulating the backdrops, next it is time to think about creating a few cloth backdrops. This would give your projects an expert “studio” appearance.

A first rate quality backdrop can literally cost hundreds if not thousands of dollars. So, in lieu of dishing out the big bucks, I recommend creating your own. Happily a photography background is straightforward to create and can be made for pennies on the dollar.

Pay attention to your photography background and you can be capturing pro level photos very quickly.

Tags: backdrop, photo, photo background, photography, photography backgrounds

How To Photograph A High Key Photography Background!

I’m repeatedly asked – by annoyed photographers – what materials they should be using to get a crisp, sparkling, pure white photography background.

Unfortunately, that would be the inappropriate question to ask! It in fact, is not the background material that offers you the sparkling white you are in search of.

It’s the amount of light!

Here is the case…you set up a dirt free white bed sheet or a roll of white paper – and you situate your model in front of it.

You set up a light source or two and light your model. All is appearing excellent. You think you’ve gotten a satisfactorily lit model and a pleasant white background.

Next, you take the shot.

Apprehensively, you rush to the photo lab if you’re shooting film or to your computer if you’re shooting digital. You evaluate the finished photo and ta daaa!

Your model is impeccably lit, however the background is usually a dingy gray color. Not the sterile, pure white you saw within your viewfinder!

Seem typical? If you’ve been having a tough time getting high key photographs…And you’ve been getting that dingy gray color (regardless of the materials you use) here’s the way to fix the situation!

All light has a certain drop off aspect.

With that I mean that the further the light is from a subject, the less bright it is. Subsequently, meaning… when you’ve got a certain quantity of light striking your model, and you are using that SAME illumination to light your background, your light is further from your background than from your model. Hence, it will be slightly less bright by the time it gets to your background substance.

Whew! That is a mouthful. Simply stated…

The reason you are getting that gray color is because there’s more light striking your model than is striking the photography background.

To get your backdrop be an untainted, picture perfect white…simply hit it with MORE illumination than you’re using for the model!

Seems obvious once you comprehend it, but this is a major sticking point for a lot of photographers.

The amount of “over-exposure” you would need on the background depends upon the color of the backdrop substance. If it is already white, you could probably get by with using an adequate amount of added illumination to get an over-exposure of more or less half an f-stop. Maybe even one full f-stop.

If the material you are beginning with is gray…that’s OK too! Just hit it with around 2 ½ stops (give or take) more light than you are using on the model.

Here is one which will blow a large number of minds…what if your photography background material is a pure black piece of material – or black roll of paper?

It does not matter! Zap it with 5, 6 or maybe even 7 additional stops worth of light (more than you happen to be using on the primary model) and you will once again have a pleasant sparkling white setting.

This can be a BUNCH of light and I wouldn’t recommend starting out with a black set. If you start closer to white at first, it’s a lot easier. Nevertheless, try it! It’s a fun experiment and can teach you quite a bit on the subject of light!

The point being – by way of enough illumination, you can get a pleasant white photography background regardless of the type or color substance you start with.

Need to know how to acquire a pro quality photography background for ALMOST NOTHING? This is bound to take your photos to a new level! Check out the above link.

Or, If you are already a pretty good shooter…do you intend to begin making money with your camera? Take a look at: PartTimePhotography.com.

For some more photography background information, check out this video:

Tags: photo, photo background, photography, photography backdrop, photography background